{"id":55,"date":"2017-11-29T13:29:10","date_gmt":"2017-11-29T13:29:10","guid":{"rendered":"http:\/\/isabelcarnicer.com\/test\/?page_id=55"},"modified":"2025-05-22T15:53:37","modified_gmt":"2025-05-22T15:53:37","slug":"gallery","status":"publish","type":"page","link":"https:\/\/isabelcarnicer.com\/en\/gallery\/","title":{"rendered":"gallery"},"content":{"rendered":"

[vc_row row_height_percent=\u00bb0″ overlay_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb0″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb123951″ overlay_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb150069″][vc_single_image media=\u00bb782″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb570287″ media_link=\u00bburl:https%3A%2F%2Fisabelcarnicer.com%2Fen%2Festratos\u00bb][\/vc_column][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb176814″][vc_custom_heading text_color=\u00bbcolor-179178″ text_font=\u00bbfont-111996″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb128631″ text_color_type=\u00bbuncode-palette\u00bb]Estratos[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb128233″]Carnicer works with small ranging bands, as if the material only consisted of its tearing and joining together, as if the form were the colour surrounded by the border made of torn paper, by the tired repetitions it weaves. The painter uses papers she turns at random into strips and sticks them horizontally onto the canvas or wood. The colour-impregnated wound alludes to the trauma originated by every form, every icon of experience.<\/p>\n

Extract from the text written by Ignacio Castro Rey in July 2008.<\/a>[\/vc_column_text][vc_button button_color=\u00bbcolor-179178″ size=\u00bbbtn-lg\u00bb radius=\u00bbbtn-round\u00bb outline=\u00bbyes\u00bb border_width=\u00bb0″ link=\u00bburl:https%3A%2F%2Fisabelcarnicer.com%2Fen%2Festratos%2F\u00bb button_color_type=\u00bbuncode-palette\u00bb uncode_shortcode_id=\u00bb115602″]see collection[\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ overlay_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb0″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb123951″ overlay_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb116208″][vc_single_image media=\u00bb943″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb118498″ media_link=\u00bburl:https%3A%2F%2Fisabelcarnicer.com%2Fen%2Fcollages%2F\u00bb][\/vc_column][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb176814″][vc_custom_heading text_color=\u00bbcolor-179178″ text_font=\u00bbfont-111996″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb157007″ text_color_type=\u00bbuncode-palette\u00bb]Collages[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb133185″]This path began when I experimented with some of the wallpapers for the Estratos series. I set aside some very small parts of those papers, for I perceived they would have another life, independent and with another meaning. They can make various images visible such as totem poles, chimneys, geometric compositions, landscapes with cypresses…[\/vc_column_text][vc_button button_color=\u00bbcolor-179178″ size=\u00bbbtn-lg\u00bb radius=\u00bbbtn-round\u00bb outline=\u00bbyes\u00bb border_width=\u00bb0″ link=\u00bburl:https%3A%2F%2Fisabelcarnicer.com%2Fen%2Fcollages%2F\u00bb button_color_type=\u00bbuncode-palette\u00bb uncode_shortcode_id=\u00bb139980″]see collection[\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ overlay_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb0″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb123951″ overlay_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb116208″][vc_single_image media=\u00bb1316″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb209033″ media_link=\u00bburl:https%3A%2F%2Fisabelcarnicer.com%2Fcollages%2F\u00bb][\/vc_column][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb176814″][vc_custom_heading text_color=\u00bbcolor-179178″ text_font=\u00bbfont-111996″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb445312″ text_color_type=\u00bbuncode-palette\u00bb]Horizontes[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb646004″]These horizons are made from remnants of a material used for other, larger-scale works. And although their physical size is very small, they intensely draw me toward a horizon line we are heading toward.<\/p>\n

They are intimate formats, humble paradises.[\/vc_column_text][vc_button button_color=\u00bbcolor-179178″ size=\u00bbbtn-lg\u00bb radius=\u00bbbtn-round\u00bb outline=\u00bbyes\u00bb border_width=\u00bb0″ link=\u00bburl:https%3A%2F%2Fisabelcarnicer.com%2Fen%2Fhorizontes%2F\u00bb button_color_type=\u00bbuncode-palette\u00bb uncode_shortcode_id=\u00bb120380″]see collection[\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ overlay_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb0″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb123951″ overlay_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb389198″][vc_single_image media=\u00bb1187″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb172777″ media_link=\u00bburl:https%3A%2F%2Fisabelcarnicer.com%2Fen%2Fgeometrias%2F\u00bb][\/vc_column][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb176814″][vc_custom_heading text_color=\u00bbcolor-179178″ text_font=\u00bbfont-111996″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb128703″ text_color_type=\u00bbuncode-palette\u00bb]Geometr\u00edas[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb173411″]Each of these drawings has a first phase in which I mechanically make watercolor lines, later moving on to another phase, more thoughtful, in which I relate some lines to others, also with watercolor and adding other materials such as graphite, thread and vinyl, imagining in them a series of abstract architectural spaces.[\/vc_column_text][vc_button button_color=\u00bbcolor-179178″ size=\u00bbbtn-lg\u00bb radius=\u00bbbtn-round\u00bb outline=\u00bbyes\u00bb border_width=\u00bb0″ link=\u00bburl:https%3A%2F%2Fisabelcarnicer.com%2Fen%2Fgeometrias%2F\u00bb button_color_type=\u00bbuncode-palette\u00bb uncode_shortcode_id=\u00bb353029″]see collection[\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ overlay_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb0″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb123951″ overlay_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb389198″][vc_single_image media=\u00bb731″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb368120″ media_link=\u00bburl:https%3A%2F%2Fisabelcarnicer.com%2Fen%2Fvolver-a-fluir-2021-2022%2F\u00bb][\/vc_column][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb176814″][vc_custom_heading text_color=\u00bbcolor-179178″ text_font=\u00bbfont-111996″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb501845″ text_color_type=\u00bbuncode-palette\u00bb]Volver a fluir[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb667063″]These works was made with materials I have been saving for a while.
\nSmall-format pieces using ink as the common thread, flowing through the paper in order to leave its mark. Later, I intervene and, in some way, those trajectories are altered. In this experimentation and search, some of the results appear by chance.[\/vc_column_text][vc_button button_color=\u00bbcolor-179178″ size=\u00bbbtn-lg\u00bb radius=\u00bbbtn-round\u00bb outline=\u00bbyes\u00bb border_width=\u00bb0″ link=\u00bburl:https%3A%2F%2Fisabelcarnicer.com%2Fen%2Fvolver-a-fluir-2021-2022%2F\u00bb button_color_type=\u00bbuncode-palette\u00bb uncode_shortcode_id=\u00bb112576″]see collection[\/vc_button][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ overlay_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb0″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb123951″ overlay_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb880645″][vc_single_image media=\u00bb911″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb197154″ media_link=\u00bburl:https%3A%2F%2Fisabelcarnicer.com%2Fen%2Ftexturas\u00bb][\/vc_column][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb140011″][vc_custom_heading text_color=\u00bbcolor-179178″ text_font=\u00bbfont-111996″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb147015″ text_color_type=\u00bbuncode-palette\u00bb]Textures[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb101256″]Between 1999 and 2001 she starts a series of works from old maps. We see in them some influence from surrealist painting or works by early Mir\u00f3, as in \u201cUntitled, 2001\u201d, as well as from the geometric abstract painting, as in \u201cTxingudi I, 1999\u201d.<\/p>\n

Along this process from figurative to abstract art, Isabel G. Carnicer has sometimes worked with photographs
\nshe had found or taken herself, and which she transfers onto the canvas. After that, she works with them till any trace of the object disappears, thus creating an abstract painting, as in \u201cComposition 12.99, 1999\u201d or \u201cComposition 16.99, 1999\u201d.<\/p>\n

Extract from the text written by Oliva Mar\u00eda Rubio in October 2006.<\/a>[\/vc_column_text][vc_button button_color=\u00bbcolor-179178″ size=\u00bbbtn-lg\u00bb radius=\u00bbbtn-round\u00bb outline=\u00bbyes\u00bb border_width=\u00bb0″ link=\u00bburl:https%3A%2F%2Fisabelcarnicer.com%2Fen%2Ftextures\u00bb button_color_type=\u00bbuncode-palette\u00bb uncode_shortcode_id=\u00bb206592″]see collection[\/vc_button][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/1″][uncode_block id=\u00bb809″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_height_percent=\u00bb0″ overlay_color=\u00bbcolor-nhtu\u00bb overlay_alpha=\u00bb0″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb123951″ overlay_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-55","page","type-page","status-publish","hentry"],"yoast_head":"\ngallery - Isabel Carnicer. 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